Gharaonda cassette movie#

With only such a document can the death sentence be stayedвЂ¦A simple and poignant story covering so many aspects of life, the caste and religious climate, and of course the gulf worker and his place in Kerala. Which simply put, states in this case вЂ¦life for a lifeвЂ¦You get to know the brief & intense relationships between the wives and the two husbands mainly as flashbacksвЂ¦Well, Dileep has to die and his wife Razia-Meera Jasmine decides to try and get VineethвЂ™s wife Ganga - Kavya to formally forgive Dileep for the crime. The men have very brief roles, one of them Vineeth is вЂaccidentallyвЂ™ killed by Dileep in Saudi Arabia, where Shariya rules apply in these cases.

PMK has four characters, two women and two men. Kakkothikkavile Appooppan Thadikal, Orkkappurathu, Gramaphone,Nammal, Meghamalhar,, Mazayettum munpe, Ulladakkam, Niram, swapnakoodu, Manjupoloru penkutti, Gazhal.the list goes on. Kamal (Kamaluddin) has always made great Malayalam movies. The songs were memorably done by M Jayachandran, and visually it was raining all through the movie, an effect that added to the pathos the director conveyed so effectively.

Gharaonda cassette movie#

I saw it a while ago, so I recall only the main parts of the movie and the impressions it left. A wonderful movie starring Meera Jasmine, Kavya Madhavan, Mamukoya and Dileep. 'Gharoanda' though is for all seasons.One of the best movies I had seen in 2005 (or was it 2004) was without doubt Perumazhakalam directed by Kamal and written by TA Razak. And Ritz? It has had a stop-start innings too.

Fine, but what about the cinemas of the '70s? Well, Kamal shut shop many summers ago, Chanderlok a few years back. With all these little buds, little twigs, 'Gharaonda' remains a wonderful treat for lonely afternoons, silent nights. Incidentally, Gulzar's words 'jeene ki wajah to koi nahin, marne ka bahana dhoondta hai.ek akela iss shaher mein' found a reflection in spirit with Shehryaar's 'Seene mein jalan aankhon mein toofan sa kyun hai, is shaher mein har shakhs pareshan sa kyun hai' a little later in 'Gaman'. Then there was the Jaidev-Gulzar duo in sparkling form. Hardly surprising, that post 'Gharaonda' Bhupinder went on to have a successful innings as the voice of an urban middle class hero with hits like 'Masoom', 'Ahista-Ahista' and 'Aitbaar', etc. 'Ek akeyal iss shaher mein' and 'Do Deewana shaher main' are two gems. His slipped into the character of Amol in two of the best songs of his well dotted career. But it was as much as Bhimsain as the lead trio - Zarina, Lagoo and Amol, in that order, invest their roles with an easy identifiability and refrain from overstatements with ease.' So 'Gharaonda' was all about middle class dreams made personably by the director and lead artists? No, There was more. Once ready, 'Gharaonda' gleams as afresh little apartment Bhimsain can own up with pride. The story proceeds ever so slowly, just like you build a house, slowly, brick by brick. Amol, meanwhile, is a picture of restraint as he alternates between simmering anger and plain hurt as the man waiting for his beloved to walk out of the nuptial match he himself suggested. She holds her own as old man Lagoo's wife, nursing him back to life and health. A little contrived but this is where Zarina's speaking eyes come into play. It is at this point that the film takes an unexpected turn with the still single hero suggesting to the heroine to get married to a rich old man, and wait for his innings to end shortly before the two of them get married. Not a place to call their own, nothing in the bank, not a penny in their pocket. The builder dupes them of their money leaving them stranded. The problem is, and this is where modern day couples will find an echo, the flat never comes up. So, like the proverbial middle class couple they save every penny and put it all for a flat which is coming up. They need a place of their own before getting married and soon realise that urban dwellings do not come easy. The usage of the word 'aboodaana' meaning water and grain, is an apt choice for a young couple looking for home and hearth. There is that little question of a nest though giving Gulzar a wonderful opportunity to pen lines like 'Do deewane shaher mein aboodana dhoondte hain'. A scathing take on the problems of urbanisation, Bhimsain's film starts off as a sweet love story where romance blooms between an affable man and a fetching young woman working together.

Review By Kamal K Honestly, 'Gharaonda' was anything but a dream.